Manifesto-ey type thing

We swear to you.

We imbibe, we drink from your ideas. We receive. Then weave. Intertwine our creativity, through, to express your vision.

Devotees of detail, we meld, we weld, the commercial to the creative, aided by our curated pride of artists, bringing value to business. 

Creative. Problem. Solvers. We’re composed, wranglers, stranglers of crises.

Then we hand you back art. Inspiring work that not only sells but looks bloody good doing it. 


In the trenches together

We come from advertising agencies ourselves. So we know what it’s like. To be there. In the heat. In the glare. Like a magnifying glass sizzling an ant with the sun.

It's about the fizz.
We love to understand people. To listen. Relate. 

Impossible is just an (unnecessary) state of mind. Whatever dirties your martini.

We have pride in our art, our artists, our partnerships; the collaborations. Our foundations. We love being challenged. Telling stories, the expressions of you. Your business. Your clients. Crafting the message.

We love what it means for you. With us you know it’s not going to be a problem. 

The philosophy

The breed of folk we are, who we work with; honest, principled, candid.
The kind of community we have.

We create connections, bonds, strong, lasting long, with our clients, our people. It's the trust we lust for. 

Our craft

Concepting | production management | budgeting | crews | talent casting (agency + street) | pedal steel lessons | location scouting + management | travel + transport logistics | negroni mixing | editing | post-production management | cow tipping | long lunches




“My brain is a business brain. The commercial world is my world of expertise. I am the balance to my artists. I do it to give them space to create their own beautiful fine art, and translate that, taking their commercial work to the next level.”



“I love my artists’ creativity. My job is understanding how every artist is different, understanding their process, how their mind works and being part of that. I love seeing artists push their own boundaries on a brief, and bring that creativity to life for a client.”



“I like to ask questions. I'm curious, you know. I like to stick my nose into things that they shouldn't sometimes but that’s how I learn things. I can sense if someone is in trouble, or overworked or needs help. I can see it.”



“I like to say if I could control the weather, I really would be able to do it all. And sometimes with the right amount of tarps and wet weather accoutrements from Bunnings it feels like I can.”



“I love country music and cowboy boots. That sums me. I love all of the imagery, my favourite photos and films in the world are western. I love the honesty of them, which you can apply to everything. Everything has an honest and very simple reason to be where it is and do what it does.”



“I love working with creative people, learning more about the world and creating something beautiful out of a blank canvas. I love giving my work a heartbeat and soul; if I'm not emotionally connected to it - then I haven't done my job.”

Some call her the Preditor: a producer, director and editor hybrid.
She is technologically advanced but not in the ‘corpse-skinning alien who stalks and hunts people down’ kind of way. Well, not yet
Our in-house editor and post-production producer, Audrey, whose nickname is Dre, is an introverted extrovert, and has no idea how it really works but it is who she is.
She loves the beat, and dancing, and says that kind of rhythmic prancing goes hand-in-hand with editing.
“Music is the heart of what I do. Dancing is about rhythm, and when I’m editing I’m usually listening to music. There is the beat. And videos have their own beat. They are both emotional. Showing people’s emotions through storytelling. Communicating a message visually.”
Audrey’s intuition, creativity and skills, and collaboration with our artists, raises our clients’ beats.
She’s an editing weapon; her attention to detail, care and flair translate in Premiere. Yeah it rhymes, get over it.
And has domestic and international experience in advertising and social media markets.
In complete food rapture, Audrey is also a shooter (capturing moments that would otherwise be lost forever), and emerging short documentary filmmaker.
Audrey Svoboda


“ Truth. You are only as good as the team around you. You can have an amazing photographer, director stylist and talent, but you also need the exceptional backing of a producer and their team. This is what I have experienced time and time again, for over a decade, working with FLIPP”

Jason Ross ECD

‘Clever, Creative, Expert problem solvers. FLIPP always put the client’s needs first, are flexible and the production heavyweights I trust”

Matt Olander GAD

Our Clients

AMEX | Apple | Audi | CommBank | Diageo | Fiji Air | Fitness First | Fonterra | InterContinental Hotels & Resorts | KFC | McDonald’s | Mirvac | Procter&Gamble | Pernod Ricard | Qantas | Samsung | The Smith Family | SWEAT | UberEats | Unilever | Westpac | Westfield | Woolworths